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login subscribe for online access home current issue archive subscribe/renew about us contact us news and notes digital access to pn review access the latest issues, plus back issues of pn review with exact editions for pn review subscribers: access the pn review digital archive via the exact editions app exactly or the exact editions website, you will first need to know your pn review id number. read more more news... most read... rebecca watts the cult of the noble amateur (pn review 239) eavan boland a lyric voice at bay (pn review 121) vahni capildeo on judging prizes, & reading more than six really good books (pn review 237) jamie osborn in conversation with sasha dugdale (pn review 240) drew milne tom raworth’s writing ‘present past improved’: tom raworth’s writing (pn review 236) mark ford letters and so it goes letters from young mr grace (aka john ashbery) (pn review 239) poems articles interviews reports reviews contributors next issue thomas kinsella in conversation jeffrey wainwright comes to grips with st chad hsien min toh gives us a korean perspective iain bamforth on lou and fritz: sensible shoes meets starstruck judith bishop on love and self-understanding in an algorythmic age welcome to pn review , one of the outstanding literary magazines of our time. '...probably the most informative and entertaining poetry journal in the english-speaking world.' john ashbery keep up with the many worlds of poetry in this independent and always stimulating journal. for four decades pn review has been a place to discover new poems in english and in translation as well as interviews, news, essays, reviews and reports from around the world. subscribers can explore the complete, uniquely rich digital archive. a pn review subscription makes an excellent gift, with a new magazine every two months and full access to the archive. reduced rates are available for students; gift subscriptions to students are available at student rate. ‘the most engaged, challenging and serious-minded of all the uk’s poetry magazines.’ simon armitage submissions to pn review : current subscribers may submit work by e-mail (word attachment). all other submissions should be made by post to: the editors, pn review , 4th floor, alliance house, 30 cross street, manchester m2 7aq, uk. submissions should be accompanied by a self-addressed return envelope and should generally not exceed four poems/five pages. featured article the fat black woman in praise of the fat black woman & volume kei miller i there is a poem from the cartographer tries to map a way to zion that i almost never read in england. there is something of the volume of that poem which seems out of place – even crude – in the supposed quiet of a british landscape. it is poem xxiii, in which the rastaman chants most loudly, calling for the fall of babylon – a proper nyabinghi chant, a summoning of fire and brimstone. the first time i read that poem in public was in trinidad. i really was in no state to give a reading that night. thirty hours earlier, i had been in the middle east – in northern iraq, giving poetry workshops in the shadow of bombed-out buildings. i had flown a torturous route – iraq to vienna, vienna to london, then london to trinidad. my body was confused by all the climate changes – starting from the dry desert, going through the last strains of a european winter, and deposited at last into the tropical heat of the caribbean. i should have gone straight to sleep, but instead they drove me from the airport to the reading venue. i am not certain now why i chose to read that particular bit of verse; perhaps it was an instinctive knowing that some poems have within them their own energy and need little help from their readers. still it surprised me how, given voice, the poem was such a different animal from how it sat tamely on the page. it wasn’t the poem’s own volume that surprised me, but how it in turn elicited volume. it seemed to ask for a chorus of chanters ... read more three poems maryann corbett creed when i haul my carcass up from my creaking knees to mumble the old form (stubbing my tongue on the brick of a new translation) humble me, lord, to accept the awkward history of these your mysteries, a plotline tangled as the morning news, a bitterness in the mouth. first, constantine, pig-headed in the face of disagreement, yelling ‘impious fool!’ ... read more from the notebooks of arcangelo riffis marius kociejowski my friend, several months before he died, asked if he could request a favour of me and, mindful of the extraordinary demands he made from time to time, i said it depended on what that favour was. ‘when i die,’ he whispered, ‘i want you to plunge a dagger into my heart.’ it would have to be a dagger, of course, a poetical blade, and not an ordinary serrated kitchen knife. this once most physically strong of men slowly moved his weakly clenched fist to his chest three times in a stabbing motion. there was some particular awfulness in his eyes. ‘i don’t want to be buried alive,’ he murmured. i waited a little. i waited a bit more. ‘why are you depriving me,’ i asked him, ‘of the pleasure of doing it now ?’ arcangelo riffis smiled the flicker of a smile he often made when caught between resignation and sheer exasperation with me. ... read more editorial news & notes also in the magazine... parwana fayyaz four poems gabriel josipovici aharon appelfeld craig raine a sequence and six poems ruth hawthorn on robert lowell sasha dugdale on nuar alsadir and leontia flynn jane draycott on five pamphlets selected from the archive... a lyric voice at bay eavan boland critics work in a text. biographers work in the foreground and the background. and the critic's work is made much harder when the background has been overwritten by events, interpretations and frank and forgetful prejudice. at that point the critic has to do some double-jobbing in order to rescue the text from the biographical background and the reader's resistance. albert gelpi has set himself a hard task. 1 cecil day lewis, at least at first glance, is a decidedly awkward subject. before reading this book i would have said day lewis was a refugee from the 1930s: and anglo-irish georgian, who admired tom moore and consorted with auden. a gentlemanly communist. a hopelessly lyric inhabitant of a hard-driving decade. a poet who didn't so much lose his identity as have it handed to him in fragments: national, poetic, ... read more privacy & cookie statement sitemap home current issue archive subscribe/renew about us contact us poems articles interviews reports reviews contributors this website ©1999-2018 pn review we thank the arts council england for their support and assistance in this interactive project. searching, please wait...

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Domain name:
pnreview.co.uk

Registrant:
Carcanet Press Limited

Registrant type:
UK Limited Company, (Company number: 1005861)

Registrant's address:
4th Floor
Alliance House
30 Cross Street
Manchester
M2 7AQ
United Kingdom

Data validation:
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Registrar:
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Relevant dates:
Registered on: 10-May-2001
Expiry date: 10-May-2019
Last updated: 03-May-2017

Registration status:
Registered until expiry date.

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WHOIS lookup made at 08:15:21 15-Oct-2017

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  PORT 43

  TYPE domain

OWNER

  ORGANIZATION Carcanet Press Limited

TYPE
UK Limited Company, (Company number: 1005861)

ADDRESS
4th Floor
Alliance House
30 Cross Street
Manchester
M2 7AQ
United Kingdom
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DOMAIN

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  CREATED 2001-05-10

  CHANGED 2017-05-03

STATUS
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NSERVER

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  NAME pnreview.co.uk

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